- Chandeliers
- Wall Sconces
- Table Lamps
- Flush Mounts
- Pendants
- Dining Chairs
- Dining Tables
- Floor Lamps
- Consoles Tables
- Mirrors
- Currey and Company
- Accent Tables
- Bar Stools
- Home Bar
- Bedside Tables
- Buffets & Sideboards
- Candle Sconces
- Demilunes
- Desks
- Display Cabinets
- Outdoor Concrete Furniture
- Sectionals
- Vanities
- Currey and Company
- Decorative Crafts
- Aidan Gray Home
- Lovecup
- Chelsea House
- Wildwood
- Laura Park Designs
- Matthew Frederick
- Frederick Cooper
- Bob Timberlake Designs
- Claire Bell Designs
- Barclay Butera
- Larry Laslo Designs
- Steven Shell London
- Lisa Kahn Designs
- Shayla Copas
- Douglas Freeman Designs
- Jamie Merida Collection
- Farmhouse
- Transitional
- Contemporary
- French Country
- Acrylic Furniture
- Chinoiserie
- Traditional
- Regency Style
- Blue and White
- Venetian
- Tuscan
- Baroque Style
- Rococo Style
- Neoclassical/Louis XVI (1750-1850)
- Biedermeier Style (1815-1848)
- Chippendale (1750-1770)
- Louis XV (1730-1760)
- Louis XVI (1760-1800)
- George III Style (1760 - 1820)
- Art Deco (1920-1940)
- Mid-Century Modern
- Coastal Beach House
- Hollywood Regency
- Modern Industrial
- Phyllis Morris Collection
Regency Style
Prince George became Regent from 1811-1820 – this was a period of classical furniture. It was then the fashion to copy actual furniture of the classical Roman and Greek times. If they were not identically copied, they were made as close as possible to the classical decoration forms. Winged Griffins, lions heads, animal legs, Roman Gods: anything that was popular in ancient Rome, Egypt or Greece. Furniture had moved from natural evolution to return to Classical form.
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